Standing Tall II (2022, front): Sculpted soft glass painted with enamel. Despite the hardships native people in the United States have endure, we are still here, thriving and standing tall.
Mindfulness Totem Pole Park II (2022): blown forms enameled, engraved, adorned with weavings and or beadwork. Mounted on a redwood plank. In collaboration with my mother (woven garments) and father (beadwork). The totems explore the trials and tribulations each one of us experience.
Standing Tall II (2022, back): Sculpted soft glass painted with enamel. Despite the hardships native people in the United States have endure, we are still here, thriving and standing tall.
Raven steals the Sun (2019)
Mindfulness Totem Pole Park (2021): blown forms enameled, engraved, adorned with weavings and or beadwork. Mounted on a cedar plank.
Beavertail Basket (2019): blown at Pilchuck Glass School and carved at the Corning Museum of Glass. Inspired by my mother, Nancy Burgess, an incredible fiber artist.
Going East: blown form with cameo engraving. Represents the migration of my people. Constructed at the Corning Museum of Glass during Pavlina Cambalova's class.
Discovery (2018)
Pilchuck still life (2019)
Standing Tall (2021): hot sculpted at Pilchuck Glass School during my fellowhship.
Potlatch rings (2018)
Ghost Dance Shirt (2018): This is a form I have been working on for 12 years. This one was made at the Corning Museum of Glass during a group residency.
Fallen Warrior (2021)
Rj's Jersey (2022, Front)
Rj's Jersey (2022, back)
Rich harvest (2023)
A collaborative effort between Mother and son: Nancy and Douglas Burgess